Friday, 31 December 2010

A Fool's Guide to Lions and Wolves.

I do not remember a lot of my childhood, there are sections missing, I am sure most people share this mottled view of their past.  There are moments which are merely hazy, dog-eared at the edges and lacking in colour or details, and then there are those scenes which simply combusted somewhere along the line.  These latter scenes tend to be quite sly in their desertion, they do not reveal themselves to be absent until you hit thirty-something and your eldest asks you where you were when Diana died.  However I do recollect the day my mother told me about Lions and Wolves.  She wished me to be wary of the world and it’s predatory characters, she counselled me: better to dip a cautious toe into love than diving eagerly in.  And I record her story here today in the hope that others shall heed her words more vigilantly than I did.

It could not be said that my mother was a clever woman, she’d be brought up on a diet of bread and coal dust and left school at the age of twelve, just two years before the obligatory leaving age was raised to sixteen in ’73.  She was not clever, but she was wise, grafted from the hard-boiled women of WWII, she was a housewife, yes, but one built from granite.  She was baptised Katherine Robinson, her family called her Katie, her friends called her Kathy, she met Donald, my father, at the age of seventeen and his ungainly surname ‘Herring’ squatted upon her like a toad, for as long as I can remember he called her ‘old woman’.

It was the morning after my sixteenth birthday, I sat at the kitchen table, pooling milk from my cereal into the spoon and drinking it on its own, so much sweeter.  My father came in his customary short-sleeved shirt and slacks, he threw himself on to the chair as Mum wordlessly placed a cup of tea and two buttered slices of toast down in front of him.  He tore bites from his toast in the same way he would with a steak, and watched me through a furrowed brow as I played with my breakfast.  I was not reprimanded for this sort of thing, as hearsay would have me believe that most children are, he did not see it as his place to bring up a daughter.  Not a syllable was ever exchanged over the breakfast routine, I always wondered what intensity and efficiency of discourse they must share in the bedroom to give space for such silence.  Father did not linger over this meal, he would gulp down his sugary tea, pull on his coat, kiss my mother with wet lips and be out the door all in one swift movement. 

‘Your father used to be a lion, you know.’  Mum said in a blank tone, moving from her spot at the sink to sit beside me, a mug clasped in her slender hands.
‘Mum?’ 

‘Your father,’ Her eyes met mine and a small, nearly unrecognisable smile appeared on her lips, forming creased dimples on her cheeks, ‘he was a real lion, I was proud to have him, now look at him, that’s a sad sight no denyin’ it.’ 

I did not say anything more, I don’t think she needed me to.  She reached into a pocket a pulled out a cigarette packet, lighting one she held it limply and grasped my wrist with her other, mug-warmed hand.

‘I was so young, and you’re even younger you sweet thing, this place was different in those days, it was brighter, there was more out there for a girl, suppose we’ve gone backwards now haven’t we darlin’?  Oh but you wouldn’t…oh never mind that.  There’s just, well, you’re a woman now I suppose and I think you deserve to know a little bit about the world, no one ever told me, oh no, no one ever tells the women, might as well be born legs akimbo, scrubbing brush in hand.

‘But your father, he was a good man once, I think you should know that darlin’, every kid should see their father as a king.  That’s the thing about lions, they don’t last nearly as long as you’d hope them to, Donald was such a sweet thing, he pulled me by the heart strings and didn’t let go ‘til he every part of me, sorry darlin’ but you must know that’s how it is.  I met your father, we were still quite young, he’d got himself a job in a factory, was doing all right, he had a car and a moustache god bless him, thought he was twice the age he was, made him look – well anyway, he was a decent man.  He was a lion, so innocent to his own good looks, his own father had died when he was quite young so he had that touch of sensitivity a single-mother can give you know?  He didn’t know what to do with a woman, that’s what a lion is y’see, a man grown in the downiest of feathers, in the safest nest, they learn to be sweet, humorous, generous, abstinent.  Lions grow thick and strong and beautiful with no knowledge of their own brilliance, oh darlin’ if only you’d see your father in those days, locked away in that bungalow with his mother.  But lions are the worst kind, you’ve got to know that sweetheart.’ 
The pressure on my hand increased, she looked down to her tea and let out a gentle chuckle, a familiar form of self-preservation, meant to prevent tears. 

‘All men are wolves my dear, all men, the only difference between them is the time when it shows itself!  Lions are just late bloody arrivals.  Because eventually they’ll want to leave in search of other packs, of life, of fun, of wisdom, ha!  It didn’t take long, I should’ve seen it bubbling up inside him, I’d married a lion darlin’ don’t you be doubting that, he became a wolf.  The wolf came from the inside, underneath his smooth skin grew lice-addled fur so thick it strained the flesh to keep it in, the bones burst through his cherub-face, you could see a phantom snout twitching between his eyes.  And I saw the blue of those eyes grow sour with yellow.  I’m pretty sure if I’d taken off one of those socks I’d darned for him I would’ve seen the middle of his foot elongate, like a hare’s, ready to gallop off to some maiden in red.  

‘Wolves aren’t nice darlin’, you’ve got to know that, but it’s inevitable, lurks in all good men I reckon, lurks in all good women too, Vixens are dangerous things, but you needn’t worry yourself about that.  Wolves are…devious things, your father stopped saying a thank-you for his toast, then he stopped telling me he loved me, then he sort of stopped anything.’
She had stopped looking at me, mesmerized by her own words, at the time it simply seemed to me like a decorative elaboration of a loveless marriage, but the way she gazed at the front door, as if she’s never been past the perimeter, as if its frame were embroidered with thorns. 

‘And now he goes out in the night, he goes out with the face of a lion and the blood of a wolf, he goes out and he leaves me.’

My mother never mentioned it again, and the following day breakfast routine repeated itself smoothly, I watched them they imitate tumbleweed in both motion and connotation for the next three years until I left home.  I met a Vixen, fell in love, and we bought a bungalow in Somerset, and this morning she didn’t thank me for her toast.

Liquid Joy

I've done it, I've cracked it, what I’ve discovered could solve depression and bring about world peace.
Maybe.
It’s a simple act, so very easy, honest.

Have you ever been sat in bed, tired and bored, maybe you woke up unexpectedly at 3am with blurry eyes and a dry mouth. 
You can’t be bothered to sit up so you clutch the glass of water by the bed with your limp fingers and clumsily bring it to your lips, you know this will not end well. 
You and I both know that this can’t work out.
In fact, physics and gravity deny the possibility of you being able to simply take a graceful sip and place it back on the side.
So you end up pouring water down the sides of your face, it runs down your cheeks and into the once warm curves of you unsuspecting neck.
You are not only woken by this but also somewhat aroused.
Not in the sexual sense of course.
You take a hand out from beneath that safe, heated duvet and rub the back of your neck, you fingers dappling in the chilly pool of water.
Well, you think to your self, this is new.

So you’re feeling uninterested, unsatisfied or just plain miserable.
Maybe you’re sitting at your desk, bored of the click-clack of the keyboard.
Take some water in your mouth.
Tip your head back.
Lifting your tongue, parting your lips, push the water out of your mouth.
Down cheeks, across collarbones, maybe down a cleavage.

You’ve seen it in movies a dozen times.
The hero reaches his arms to the sky with an almighty cry, a shriek at the heavens which pour down on him, soaking his face, perhaps mingling with tears.
This is your own version of that, reduced in size and with less theatrical extravagance.
But you can’t deny the spontaneity.
And that is the spice of life is it not?

Perhaps it is just refreshing, or something novel to amuse yourself with. 
Perhaps it is simply doing something that you know you really shouldn’t.
And in that sense it becomes an indulgence.

Give it a try, I promise you’ll feel something.
Even if that something is just slightly damp.
  


Tuesday, 21 December 2010

Many writers were hurt in the making of this poem.

There’s red dirt plastered on the grass,
soon goes limp, suffocates, excepts its fate.
The ground is hard, the air is thick,
so only the few can penetrate it.

We have no shame, we bare our teeth
and hunt and prowl and bite.
And mystify the opponent
with words, before a fight.

At dusk we gather what letters we can,
rip inspiration from their guts,
pilfer adjectives and idioms,
draw language from the cuts

Returning to the den with our spoils,
we gorge on adverbs, nouns, prefixes.
Gobble every last vowel, must be fast,
the remorseful artist finishes last.

I hate poems which have the first words as their title. [AKA: Pitter Patter]

Pitter Patter, is that your heart or mine?
It can’t be mine, I don’t hear it when you’re around.

A hero, a villain, a tyrant, a thief,
why can’t you fit into a archetype darling?
You’re a dastardly man but a beautiful boy.
My mother asked me: who was that creature that I loved,
and I stood stone-still, open-mouthed, tongue-stuck.
Did your father ever ask after me?
That girl who made you dinner for three?
So what can I be in that curly-headed box?
A hero, a damsel, a sheep, a preacher,
the heart, the monster, the fantasy, but not a keeper?
The victim, the writhing, the philistine,
a goddess, a reaper, a concubine?

Pitter patter, is that your heart or mine?
I’ll get back to you on that one, in time.

Royal Mail

There is something infinitely intriguing, childishly titillating, almost disturbing, about seeing a Royal Mail van filling up at a petrol station – like any other motorist!  Do they not realise that to the British public they are no ordinary human-operated metal box?  Their little red snouts peek out from behind our curtains as we sit at the breakfast table and offer a glut of stimulations.
This steel sleigh holds promises of the new and the polished for the eager buyer, a brown paper parcel plops onto the doormat, a mere lick of cellotape keeps consumer and product apart. 
The impatient pen pal goes as far as to greet the mail at the door like an over-zealous puppy, forcing the postman to note the Australian stamp – oh yes, I know people.    
The fervent lover stops as he hears the squeaking hinge of the mail-box, and the soft wilt of an envelope upon the carpet, he wets his lips at the thought of another honey-drizzled letter, signed with an X, maybe three this time.
The Royal Mail van is, in my mind at least, an element of Britain that sits outside of time, much like the telephone box used to.  I do not imagine them to interact with traffic as other automobiles do; they follow an unfaltering and undisputed path, as if lead by a tram wire, or given the authority of an ambulance.  And but for that brief peck on the cheek of your doorway, they do not intermingle with the world.  Eventually, after a long day of short-lived interactions, they return home to the crystallized workshop, somewhere underground.
Well this is new and shiny.